SEEING THE BIGGER PICTURE

This series brings together a collection of unrelated images, connected not by subject or location, but by the distinctive perspective of the panoramic analogue film cameras with which they were made: the XPan and the Fuji G617. Their wide, elongated frames stretch each scene beyond conventional boundaries, encouraging the eye to travel slowly across the image, as if following a moving shot in a film.

The panoramic format introduces a cinematic quality that reshapes how these moments are perceived. Ordinary scenes gain a sense of scale and narrative, while isolated details are given room to be taken in. The images feel less like single instants and more like fragments of a larger story, paused mid-scene. Through this shared visual language, the series highlights how format alone can unify diverse subjects. In short, I love the cinematic look of the panoramic view.